Salomon de Brosse (1571-1626) was an early 17 ^th century, and extremely influential architect in France, influencing several later architects, including Franois Mansart . Born to a prominent Huguenot family, he was the grandson through his mother of the designer Jacques I Androuet du Cerceau and the son of the architect Jean de Brosse. With these family connections, its no surprise that Salomon, at the age of 27, established in practice in Paris in 1598 and was later promoted to court architect in 1608. Lucky guy!

De Brosse greatly influenced the sober and classicizing direction that French Baroque architecture was to take, especially in designing his most prominent commission, the Luxembourg Palace , Paris (1615-1624), for Marie de' Medici , whose patronage had been extended to his uncle. Salomon de Brosse simplified the crowded compositions of his Androuet du Cerceau heritage and contemporary practice, ranging the U-shaped block round an entrance court, as Carlo Maderno was doing at Palazzo Barberini , Rome, about the same time. The impetus for the plan is often traced to Palazzo Pitti , Florence, where the Medici queen had spent her youth, but the formal plan of Anet could also be adduced. He clad the building wholly in stone, avoiding the lively contrast of brick and stone that was the more familiar idiom. Though de Brosse was forced to relinquish his post 24 March 1624, construction of the Luxembourg proceeded according to his plan and elevations; extensions made in the nineteenth century have not obscured his external elements.

Other buildings that he designed include:

chteau de Montceaux-en-Brie

• the chteau de Coulommiers -en-Brie (1612-15), for Catherine Gonzaga , duchesse de Longueville.

• the facade of the Church of Saint-Gervais , Paris (1615-1621)

• theParlement de Bretagne Rennes (1618) (now a Palace of Justice )

• the aqueduct of Arcueil (1624)

• the chteau of Blrancourt (ca 1619)