Is always great to see one inventor here, someone who dares to create diferent things and inovate the market. Those dolls are great, they look exactly like one doll of the XVIII century, specially on the face. Congratulations for this work
Once I look for The Court of the Rose, too, and I've found this blog: http://lostudor.foroactivo.net/forum
[23:04] Marie-Elisabeth de Chiverny: ((i've check the notecard about my house, someone can explain me why me and my sister were going to die on 1793 and my fathers will keep alive until 1820!?))
[23:05] Jean-Louis de Chiverny: ((the revolution))
[23:05] Marie-Elisabeth de Chiverny: ((oh yes... thank you robespierre!))
This was the conversation that merge while my cousin Jean and I were talking about the possible future of our family. I was reading the notecard when I found this: me and my sister were going to die on 1793, Versailles SL time.
[23:05] Jean-Louis de Chiverny: ((You probably will both have a date with madame guillotine))
I read it twice, and guess what I've found? A lot of the members of my family are going to die on the same year.
DEATH LIST OF 1793 (FOR THE CHIVERNY HOUSE)
Charlotte-Marie de Tancarville (1742-1793)
Jean-Jacques d'Amblise (1748 - 1793) Comte de Vareilles
Marie-Elisabeth de Chiverny (1753 - 1793)
Marie-Thrse de Chiverny (1750 - 1793)
[23:07] Jean-Louis de Chiverny: ((I will make sure to wear black for the rest of my life after that))
We start to talk about it and we reached this conclusion:
[23:25] Jean-Louis de Chiverny: ((So I will leave France with my wife after the Bastille falls))
[23:26] Jean-Louis de Chiverny: ((I will urge you to leave but you agree with the revolution before it turns radical and by then it is too late))
[23:26] Marie-Elisabeth de Chiverny: ((i'll stay on the side of the revolution because of my romantic idealism and i'll die))
[23:26] Jean-Louis de Chiverny: ((oui exactly))
[23:26] Marie-Elisabeth de Chiverny: ((it is!))
[23:27] Marie-Elisabeth de Chiverny: ((and when i finally see the danger i'll try to run with my sister and aunt, i'm still thinking why would they stay...))
[23:27] Marie-Elisabeth de Chiverny: ((but we got on a jail, judged by the jacobines and get killed))
[23:27] Jean-Louis de Chiverny: ((maybe because they don't fear the danger))
[23:28] Marie-Elisabeth de Chiverny: ((i guess that the three of us really has a trouble with it))
Later Jean would run away to Italy, and maybe, after the restoration, Jean came back to retrieve his property, and thanks to one hidden treasure chest on Plougastel (my wicked imagination) he will manage to live in there with his wife until the rest of their lifes.
[23:16] Marie-Elisabeth de Chiverny: ((well, at least i can say that ill live fast and die young))
Now I start to wonder, who else died on the years of the revolution? I just open one group, but how could those deaths happen, not only with the historichal characters, but with the fictionals?
Germinal (1885) is the thirteenth novel in mile Zola 's twenty-volume series Les Rougon-Macquart . Often considered Zola's masterpiece and one of the most significant novels in the French tradition, the novel an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s has been published and translated in over one hundred countries as well as inspiring five film adaptations and two television productions.
The title refers to the name of a month of the French Republican Calendar , a spring month. Germen is a Latin word which means "seed"; the novel describes the hope for a better future that seeds amongst the miners .
Germinal was written between April 1884 and January 1885. It was first serialized between November 1884 and February 1885 in the periodical Gil Blas , then in March 1885 published as a book.
http://en.wikipedia.org/wiki/Germinal_(novel)
I've read recently Germinal, by Emile Zola. Is one of the best books I've ever read. Is strong, tragic, shows everything around thedanger of minering on the Second Empire.The ending is tragic, but at the same time is filled with a hope for a new future. Like the author wrote: "the ancient world wants to live one more spring..."
They all are good, I see one great progress on your work. You know how to find inspiration and you had very good names. Just one advice for future gowns, specially when you made one for order: be careful with the skirts, because on La Romance I can see that the red texture can be too invasive on the top. You are using two great textures that combine, so they must complement each other.
I hope you can keep with this progress. Des saluts et jusqu' la vue!
